Tropical Fruit.

Graphite on 130 gsm A4 paper.

Back to graphite, thought I am still playing with my charcoal sticks.
Some thing that I have been frustrated for a long time now, is the glare in my pencil work photographs. Pencil works are best photographed in a bright shade. But it is easier said than done. Even in the shade some part of the drawings got more light than the the rest, resulting in a glare or over darkening of one side of the drawing etc.
I have tried photographing at different times of the day. Afternoon works best if you have access to a terrace or open space where the light hits from all directions. But even then, even lighting is tricky (tricky sentence :) ). Evenings have never worked for me.
This particular photo, with which I am really happy was taken early in the morning just before sun rise. It was very bright outside but no sun rays hitting the art work, no glare, no shadows and very little editing required. I am all smiles.

Charcoal Sketches.

Charcoal sticks on cartridge paper. 

My new obsession.  Charcoal sticks...
I am in love with this medium.
Though I have used charcoal pencils before... was reluctant to use charcoal in any other form (chunky, vine, willow or compressed charcoal.).

Now that I have tried it,... am not going to stop.

Fruit Anybody??

Acrylic on Panel, 8" * 11"

I have had a couple of hardboard panels that I bought ages ago when I was starting to teach my self Acrylic paintings. I wanted to experiment with different surfaces and hence the purchase. I don't exactly remember what was on these panels, but a few years ago I painted white gesso over them. I sanded them to a smooth finish using fine grit sandpaper before starting with this piece.
I think I like the smooth panel better than the canvas texture.